Welcome to GoodWorksInstruments

This is what keeps me out of trouble… and keeps my mind working. Both of which – according to my wonderful wife – are very good things!  I should point out that it really was made from a cigar box – two of the actually, that were joined together for extra depth.

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For your listening pleasure while checking out my site, please click on the link above to hear a song I recently recorded –Full of Empty Space“.  I should note that it was was not recorded on the Uke shown above – but I like it anyway!

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This site is dedicated to my interest in making, repairing, and restoring stringed musical instruments.  Personally, I don’t believe that we ever really “own” our instruments.  We simply have the privilege of being around them for a while.

As such, I feel fortunate to be a builder of some – and a caretaker of others.

Your GoodWorksInstruments Host:

IMG_8954Will Travnikar

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NEWS FLASH ~ AUGUST, 2016 – I’M CURRENTLY BUILDING AN INSTRUMENT UNLIKE ANY I HAVE DONE BEFORE… I’M EXCITED ABOUT THIS ONE ~ STAY TUNED (OR,  AT LEAST,  IN-TUNE) !

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Image-1-1July 2016 ~ A Very Nice Pair of Recently Built Tenor Cigar Box Ukulele’s ~ The Work Evolves With Time 

SOLD AND SHIPPED TO FLORIDA! I HOPE THE NEW OWNERS ARE AS PLEASED WITH THE TRANSACTION AS I AM… THEY ARE SUCH WONDERFUL PEOPLE TO BUILD INSTRUMENTS FOR!

Click on Pic for Larger Image

Clink on the Following Links to See a Short YouTube Video of Each Instrument Shown Above – NOTE: Please don’t judge the quality of the instrument(s) by the quality of my playing. I’m not much of a uke player. I’m really a guitarist at heart… (and even that would be considered quite questionable by some ) 😉    

https://www.youtube.com/watch?v=Bassvl7kjjk

https://www.youtube.com/watch?v=yCCvbM_93Xo

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There are also pages on my site that contain information on the history behind certain instruments and / or the artists that have used them.

I don’t build or repair instruments with the intent of making  a lot of money (I’ve yet to see how that could happen). Breaking even would be nice once once in a while… but even that isn’t really the point. What I do is simply a way to express myself through the instruments I build.   As such, I don’t wish to view it as a job. Nor do I wish to be under pressure to “meet” others standards for what I build.  Companies such as Martin, Gibson, Taylor, Kamaka charge hundreds / thousands of dollars for their instruments. Cost is always a “relative” term, but in many ways I believe some instruments truly are worth many times more than others. I understand why people pay many thousands of dollars for high end guitars (among other things).  I get that – I really do. Expecting the same level of quality from one of my instruments will, however, certainly be a recipe for disappointment. Both for the buyer – and then in-turn one of frustration for me as the builder.  To be sure, however, I do strive to make quality instruments that look, sound, and play well.  That includes proper fret work and bridge placement for correct intonation. Overall, the idea is quite simple, and can be summed up in one word:

Enjoy!

That’s not meant to sound overly self-centered… really it’s not.  But, I make no apology for the fact that I intend to present my work as it is… and leave it at that.

Simply put, I make instruments that I like, and that includes making them the way I like them. Which in many cases means using an actual cigar box as the body of the instrument. I have made numerous versions of “commonly known” instruments in that manner. Such as: 3 & 4 string guitars; 4 string bass guitars; numerous ukuleles of various sizes; Appalachian lap dulcimers; and a few other “creations” of my own.  Some I leave acoustic – others I amplify.  If I happen to make something that someone else also likes, well then that’s pretty cool.  This pretty much says it all: 

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So for me, my instruments become something to share:

IMG_9465various builds I’ve done

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I have done repair work on a variety of stringed instruments, such as: acoustic & electric guitars; violins; ukuleles; banjos… 

And a little restoration work also:

Normally guitars are always best left in their original condition - a fact that I completely respect. This 1967 Gibson SG Jr., however, had been left in a barn for years. The finish was completely shot, half the parts were missing, and the other half were not correct (to the instrument). I did a refinish, re-fret, and found numerous period correct replacement parts (from the USA and Europe), and installed a Lollar "over-wound" P-90. It rocks. a restored “barn find” – a ’67 SG Jr that was in very bad shape

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I’ve built a few “regular size” instruments as well:

The "Ben-Castor", a "tele" style electric guitar. The top is made from 80 year old Michigan Red Maple that was felled and milled at my Grandfather Ben's farm.

The "BenSteel" Lap Steel Guitar. This One Sings Like an Angel!

my personal 6 string lap steel guitar made with some very special wood…>

 

<…my personal tele style guitar also made with some very special wood

 

 

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Maybe someday I will actually have some shop space to call my own. For now, I work out of my garage – or better said, one half of the garage:

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cleanliness is next to… well, where my wife parks her car

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I use mainly hand tools, but I have been blessed with some power tools recently, and I am fortunate to have them. Some were old and needed a lot of “TLC” – others brand new:

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these two were a great gift from a very special person. you know who you are  – and you really blessed me greatly! besides being wonderful tools, they carry a lot of personal meaning for me as well…>


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i was also very fortunate to acquire this way cool old 1950’s planner / jointer that belonged to a friend’s father – which i have since restored – and I dare say it now works better than new!…>