Some Pretty Cool Cats Like This Site… (At Least That’s What They Said)… So Check it Out!
Be Sure To Check Out The “What’s New” Page! Updated 02/01/2017.
This old video clip (see link below) is a real “hoot”! I frequently “stack” one cigar box on top of another – to create extra depth for the sound-box. But there is no way that I could join enough boxes together to create the banjo this guy had specially made – surely a “one-of-a-kind”:
An Extremely Simple Version of a Beautiful Song (With Apologies to my Friends that are Actual Musicians)- Done in Classic “Low-Tech” Recording Style by Using a Small “Wine Box” Amp That I Made (see link below) – But it’s Fitting for This Time of Year – Merry Christmas!
A Brand New & Very Special One-of-a-Kind Instrument Has Just Been Finished. This is the Most Challenging Instrument I Have Made This Far. To get Proper String Spacing of the Four Individual Pairs: – in Relation to Each Pair; the Distance Between the Pairs; and Following the Fretboard as it Widens From the Nut to the Saddle; was a Unique Task!
This one had the Little Grey Cells Working Overtime
This is an 8 – String Cigar Box Ukulele. The Body Was Constructed of Two All Wood Cigar Boxes That Were Joined Together to Make One Large Open Box. The Bottom Piece is From One of the Boxes. Here’s Where it Gets Interesting. The Soundboard, Headstock, Fretboard, Neck, & Bridge Were All Constructed From Wood That Came From the Actual Elementary School That My Wife Attended! That Being the old Webster Elementary School Located in Pontiac, Michigan.
It Should be Noted That a Renovation of That Beautiful Old Building is Now Underway by a Ministry Known as “Micah 6”. The Intention Being to Create a (Much Needed) Community Center. That is a Great Endeavor and Certainly Worthy of any / all Support it Can be Given!
Please Take a Moment to Check Out Their Website: http://www.micah6community.com/
I Was Able to Obtain Some Beautiful Old Boards That Came From Shelving Units From the old School. When I Ran One Through my Drum Sander I was Completely Surprised by What I Saw. The Pictures Below Show the Before and After Shots Taken of the Same Board.
What Appeared to be Something Like a Walnut / Maple Combination Was Anything But That! The Lighter Wood is Hard Maple. The (Very) Green Wood is Definitely Not. I’ve Been Told it’s Popular with “Sapwood”. Anyway, What a Great Surprise.
I Did Use Several Different Pieces of Power Equipment in the Build Process, as I Often Times Start With Dimensional Lumber That Needs to be “Built-Up” or Joined Together. But, I Also do a Lot of Hand Shaping. Nothing is Done via a Production CNC Machine.
Here’s a Few Specifications of the Instrument Itself:
True Tenor Size
Double Box (for Extra Sound Projection)
Good Tuners With Very Cool Buttons
Nice, Clean Fret Work
Very Playable Neck Profile
Low (fast) Even String Action
Hand Filed 80 Year Old (very) Hard Maple Nut
Hand Filed Bone Saddle
Hand Shaped Bridge
Brass Corner Protectors
Authentic “Drain Strainer” Soundhole Cover
The Instrument is Strung in Four Pairs: G, C, E, & A The G & C Strings Are Two Strings That Each Have a Different Gauge Size and Are Tuned One Octave Apart. The E & A Strings Are Also Two Stings But Are the Same Gauge Size and Are Tuned in Unison With Each Other. There is a Strong Push From the G & C Pair – while the E & A Pair act as Drone or Melody Strings (Similar to a Dulcimer). The Effect is Similar to a Natural “Chorus Sound”.
A Considerable Amount of Planning Went Into This One. The Proper Spacing Between Each String in the Four Paired Sets Had to be Determined, As Well As the Distance Apart From One Pair to the Next. Added to That is the Fact That the FretBoard Widens Out From the Nut (Just Below the Headstock / Tuners) to the Bridge (2/3 of the Way Down the Body).
I Didn’t Have a Set of Plans to Work From. I Used a Picture and Then Scaled the Dimensions From It. Those Calculations Alone Took Several Days (and Attempts) to Get Correct… And Only Then Could I Actually Start to Build the Instrument! I Typically Have 30 to 40 Hours in One of My Instruments. Adding the Initial Planning Required, I Have Considerable More Time Invested in This One, to be Sure.
I am Being Very Honest When I Say I Don’t Know if I Could Make Another One Like It… That’s Part of the Beauty of Hand Made Instruments! This is a Very Solid, Stable Instrument. As Such, I Seriously Doubt That I would Sell It. But, I Did Want to Share a Quick “Look & Listen” With my Instrument Loving Friends.
The Video Below Is a Brief Demo of the Actual Instrument Described Above
This is what keeps me out of trouble… and keeps my mind working. Both of which – according to my wonderful wife – are very good things! I should point out that it really was made from a cigar box – two of them actually, that were joined together for extra depth.
And Now for Something Completely Different:
A Little Guitar Music
“Full of Empty Space”
For your listening pleasure while checking out my site, please click on the link above to hear a song I recently recorded – “Full of Empty Space“. I should note that it was was not recorded on the Uke shown above – but I like it anyway!
This site is dedicated to my interest in making, repairing, and restoring stringed musical instruments. Personally, I don’t believe that we ever really “own” our instruments. We simply have the privilege of being around them for a while.
As such, I feel fortunate to be a builder of some – and a caretaker of others.
Your GoodWorksInstruments Host:
SOLD AND SHIPPED TO FLORIDA! I HOPE THE NEW OWNERS ARE AS PLEASED WITH THE TRANSACTION AS I AM… THEY ARE SUCH WONDERFUL PEOPLE TO BUILD INSTRUMENTS FOR!
Click on Pic for Larger Image
MORE VIDEOS HERE
Clink on the Following Links to See a Short YouTube Video of Each Instrument Shown Above – NOTE: Please don’t judge the quality of the instrument(s) by the quality of my playing. I’m not much of a uke player. I’m really a guitarist at heart… (and even that would be considered quite questionable by some ) 😉
There are also pages on my site that contain information on the history behind certain instruments and / or the artists that have used them.
I don’t build or repair instruments with the intent of making a lot of money (I’ve yet to see how that could happen). Breaking even would be nice once once in a while… but even that isn’t really the point. What I do is simply a way to express myself through the instruments I build. As such, I don’t wish to view it as a job. Nor do I wish to be under pressure to “meet” others standards for what I build. Companies such as Martin, Gibson, Taylor, Kamaka charge hundreds / thousands of dollars for their instruments. Cost is always a “relative” term, but in many ways I believe some instruments truly are worth many times more than others. I understand why people pay many thousands of dollars for high end guitars (among other things). I get that – I really do. Expecting the same level of quality from one of my instruments will, however, certainly be a recipe for disappointment. Both for the buyer – and then in-turn one of frustration for me as the builder. To be sure, however, I do strive to make quality instruments that look, sound, and play well. That includes proper fret work and bridge placement for correct intonation. Overall, the idea is quite simple, and can be summed up in one word:
That’s not meant to sound overly self-centered… really it’s not. But, I make no apology for the fact that I intend to present my work as it is… and leave it at that.
Simply put, I make instruments that I like, and that includes making them the way I like them. Which in many cases means using an actual cigar box as the body of the instrument. I have made numerous versions of “commonly known” instruments in that manner. Such as: 3 & 4 string guitars; 4 string bass guitars; numerous ukuleles of various sizes; Appalachian lap dulcimers; and a few other “creations” of my own. Some I leave acoustic – others I amplify. If I happen to make something that someone else also likes, well then that’s pretty cool. This pretty much says it all:
So for me, my instruments become something to share:
I have done repair work on a variety of stringed instruments, such as: acoustic & electric guitars; violins; ukuleles; banjos…
And a little restoration work also:
I’ve built a few “regular size” instruments as well:
my personal 6 string lap steel guitar made with some very special wood…>
<…my personal tele style guitar also made with some very special wood
Maybe someday I will actually have some shop space to call my own. For now, I work out of my garage – or better said, one half of the garage:
cleanliness is next to… well, where my wife parks her car
I use mainly hand tools, but I have been blessed with some power tools recently, and I am fortunate to have them. Some were old and needed a lot of “TLC” – others brand new:
these two were a great gift from a very special person. you know who you are – and you really blessed me greatly! besides being wonderful tools, they carry a lot of personal meaning for me as well…>
i was also very fortunate to acquire this way cool old 1950’s planner / jointer that belonged to a friend’s father – which i have since restored – and I dare say it now works better than new!…>
I have been truly blessed to receive some wonderful power tools. I still do a lot of “hand work” but these allow me to create usable working stock out of larger pieces that would be hard to handle otherwise. I rarely buy “new” wood anymore.
I would much prefer to find older, interesting pieces of wood that I can re-purpose. Especially ones with some “history” to them… Kinda’ like me, come to think of it!